Old New England Glassware in the Home
Part Nineteen
"Delightful"
It’s
not just in the cupboard bottoms;
The
glassware
In
the old New England home
Is
everywhere.
Let
us just look around a bit more
For
just a minute.
“DOWN
cellar” are the
Old
Fruit Jars.
They
(the early design ‘old fruit jars’) are not a ‘utility’ glassware brought INTO
the home. They are a utility
glassware IN the home. They are
not pressed glass. They are,
usually, ‘bottle glass’ (utilitarian glass metal) ‘aqua’ (color). They are ‘mold blown’ glass almost
exclusively. They are ‘hand
finished’ when ‘removed’ from their mold.
Many of the older ones have ‘ground lips’ or even ‘fire polished’ lips
... with this ‘that’ found on, especially, the ‘early’ ‘wax sealers’. Napoleon, Josephine’s husband, is
credited with ...creating the ‘Fruit Jar’; the “Preserve Jar”. He... offered a substantial cash reward
for a ‘food preservation method’ for transporting food to feed his army and
Someone
did... innovate... the design form called, casually, ‘the fruit jar’. They are ‘down cellar’ ...old New
England... glassware... in the home.
They are... ‘Empire Style’... in their ‘early (design) form’. Too.
I
am not writing about them... even though they were... and are... THERE.
THEY
(fruit jars) ARE old New England GLASSWARE... in the home. But they are too easy for you to
understand ...now... with your ever-more discernment. So I will skip along.
But:
I will notice... that should one... be of the... properly
decorating the ‘their’ old New England home...; that ‘doing that’ ‘down cellar’
‘right’... would actively include proper (historically correct) ‘fruit jar’
(‘preserve jar’) (‘canning jar’) decorative etiquette. Yes and that... done right makes
one look... very bright... but ...done wrong... it is a decorative
Fright.
“I
did not”, you say, decoratively include the cellar of the old New England “MY”
home? Well... THEY DID (the
original occupying families). If
you don’t know what your doing; study... it (the fruit jar)... or consult a
professional (fruit jar collector/dealer).
Should one seek to know a ‘fruit
jar’ in the old New England home... by a name brand... that is also.... highly
affordable (‘cheap’ in the current antiquarian marketplace).... (in ‘aqua’)...
and a ‘classic’, follow the “Trademark” “Lighting” ‘jars’ trail. These are old New England Home cellar
classics. They are forever ‘right’
although ‘too common’ to excite the knowing collector’s eye. Many old Lighting jars are embossed
with the word “Putnam” on their bottom.
This ‘furthers’ their old New England aura. Do not worry.
Although not ‘valuable’ for the most part, there is a bevy of nuance
‘of Lightings’ that “PEOPLE”
(collectors) know and care about.
Example? A DECEPTIVE nuance is the so called ‘cornflower blue’
‘colored’ Lighting jar; a jar whose glass color is a distinctive but LIGHT
‘blue’. Some funk such as I in an
old cellar with... very... slight of hand will separate ALL jars of that color
without the ‘anyone knowing’ (taking notice). And it is a ‘”NEAT!” color to ‘know about’. Too.... this corn flower
Blue.
The collector-‘adds value’ nuances
‘go from there’. “Good luck with
that”.
Why
not dwell... in old fruit jar Hell?
Because: It is too boring
(easy) as a design form to... get a gist of. I am not entertained ‘of art’ by the fruit jar nuances. I like a raw... ‘few travel there’ old
New England glassware... object (“THING”)... that I find... in the old.... New
England home.
So...
“Oh Victorians!” and Civil War era domestic décor. Or is it better antebellum. Yes it is better ‘that word’. Why? Well...
the Civil War is responsible for changing the way “THINGS” in the “HOME” were
“MADE”. Coming TO the Civil War
the influence and impact of industrial ‘practice’ retained the human (usually a
‘man’) as the controlling craftsperson... guiding and using the ‘machine’. Glassware ‘pressed’ was ‘hands on’
managed by ‘old school’ glass craftsmen who... ‘knew what they were doing’ with
the glass metal from ‘the old days’... and the ‘old ways’. The machine of the Civil War... ‘got
rid of that’. The machine became a
perfect craftsperson... so required... no longer... a human crafts person. Just a person... to ‘work’ the
‘machine’. Yes and going from
Empire style to Victorian style... through the ‘transitional’ style... included
‘this’; the machine craft replacing the human craft... in the ‘manufacture’
‘of’... ‘it all’. Therefore: When I look for signs
Of
design
Decadence...
With
this ‘change’ (“decline”) in mind
I
know where to start... do I not.
But
I also spy that little antebellum window of ‘still there at work’ ‘a
craftsperson’ ‘making’ some... thing.
Here I carry my eye-spy to glassware in the New England home and... peer
around these old estates seeking that; old glassware that “I CARE ABOUT” and
find some ‘peculiar’ that turns to ‘enthralling’ with that progressing to
‘absorbing’ to that carrying me off to ‘delightful’... ‘things’. What could a ‘that sort of thing’
BE? An Empire-Transitional-Victorian
style antebellum glassware (handmade of old New England by an old New England
‘glass man’ of apex skill...? IS
THERE SUCH a domestic vanity... right in plain sight like today’s
‘television’. But if so what could
a THAT be?”
Dancing
past the ‘it must be for FORTY years I’ve LOVED THEM’ I rediscover FOR YOU
the...
Victorian...
fish... bowl
“I
just oh
Do
love them
So.”
The
old ones of course... from ‘before’ they were ‘machine made’. I mean those large (9” by 10”) free
blown clear glass bubbles of hand craftsman’s hand blown GLOBES of sphere space
in GLASS... WARE sitting THERE with a ‘gold fish’ in it. “OH SO
FRONT PARLOR... does it’s water need to be changed?” I just... I
mean... once one finds one and, like... “KNOWS YOU CAN” find one and DOES...
find one “IT’S NOT BROKEN”.
Usually they are empty and... ‘sort of’ put away. Like... they are not on a (pillar
style) stand anymore but only ‘tucked’ in the
behind-the-chair-over-there-corner-of-room-by-the-desk-like... a trash basket
sort of... whole and holy NOT ‘disturbed’ and no fish bones in it either. I just run off with it to the
truck. I mean obviously I’d
already spied it in the ‘walk through’ prior to ‘purchase’. And I don’t have to
touch them. Just my eyes: The open top... rim... that is a
‘folded rim’ with that meaning the hot glass edge is folded over to create a sealed
hollow space rim edge. Then there
is the rough glass pontil on the bottom... created there so that ‘a boy’ could
hold the fish bowl while “HE” (master glassblower craft person) finished the
rim; rolled the rim edge. THEN
THERE IS one hundred fifty years of ‘bottom wear’; a halo-around-the-moon
(pontil) surface scratching to the bottom from ...’actual usage’. THAT MUST BE THERE for a ‘real one’; a
REAL OLD FISH BOWL. Little usage
scrapes and stains all over ‘it’ TOO.
THIS (a true antique fish bowl) WAS USED to hold the family’s GOLD....
FISH. They (these old fish bowls)
ARE old New England glassware... in the home.
Most
were made in the Boston area... by very skilled craftsmen having their job
‘taken over’ by a machine. Due to
the ‘blown big bubble’ scale of the fish bowl this... (glassware) ‘THING’ was
harder to ‘get a machine to do’ so... since there WAS (and still is) a
commercial demand for ‘a...fish...bowl’ ‘in the home’... these old veteran
glass blowers ‘made them’. SO FINE
are they ‘of production quality’... that after (1) hearing about them from me
and then (2) actually handling a REAL ONE...
YOU
WILL
WANT
ONE
For...
(yes you will)
The
(your)
“Old
New England Home”.
Once
discovered... they are delightful.
Yes...
you may put a fish in it.
That
does... make them hard to “I LOVE IT”
Allow
admiring to ‘handle it’.
But...
Well...
I,
myself, prefer the ‘their sculptural presence’
Now...
I serve notice... that the observed craftsmen glass qualities of ‘folded rim –
pontil – usage wear; these physical occurrence on this glassware; the old New
England fish bowl... are retained ‘of mind’ and intensely used when one
‘suffers the discernments’ of what
makes EAPG (early American Pressed glass) a ‘delightful’ of
Old
New England glassware in the home.
This notice includes the captured
‘little antebellum window’ of (in) time, too.
This helps. I should not go looking for things. I should just look and I will find things. I need to let them speak out to me by being what they are. Then I will try to understand their story. I will find what I find, and not necessarily what I am looking for.
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