The Secrets of the Old Rare Books Collector's Secrets
Part Five
"Restring the Clothesline"
Suggestions
of secrets that are the secrets of old rare book collector’s secrets that I
have made seem elemental and conceptually standard? Obsession, romance, appreciation and ‘of art’... ‘of the
(old rare) book’ is, from you to I, an “I get it” and “Please move on”. That is just vile of you... isn’t
it. It perpetuates; continues...
the damnation of the old rare book
in our modern ‘now’. “So smart
(phone)” and it (old rare books) is “over”.
The
(old rare) book is over. When you
stand in conversation “with a” who has, behind them and over their shoulders a
‘shelves of’ “BOOKS” that should cause your furtive eye to escape from indolent
chatter and scrutinize that; the shelves of ‘spine ends out’. It is radiant energy from a hidden
source waiting your bask. Hot
fresh shelves of title truth behind a mask of persona and their graceful
pretend? Yes. Reach past them and shelve your titled
self there too: an old rare books collector’s secrets... have no secrets of
those secrets that they may hide.
Their old rare book collection IS behind them... on a shelf. It is you who falters and fails to
‘step to that’: “They are just old
books”... on a shelf.
What
stories may they (these books) tell?
Actually they speak of nothing at all these days. Fraudulent perpetration of admiral
efforts to ‘appear’ to be a well booked-up patron of the old rare book is...
about all of it... typically found.
And there is always a risk of a Cretan (Part One)... before their
shelves... visiting your roving biblioeye as soon as ‘onset’. That eye is hurried to its
damnation. “HOW CAN I
GO
HOME
TO
MY BOOKS?”
You
internalize as screech. And this
only if you are a ‘book person’.
You are sure. Yes for you
know that life does absolutely go on for most without; “bookless”. Bibliobooklessness is the rage of
bibliomania these days: The...
that of God has damned the old rare books. Spine ends out are mostly shelved lies; often multiples of
Hansel and Gretel type fabricated crumb trails of affected efforts to... as I
already said above... ‘appear’.
You know if you lie? You
think you do not? You feel there
is an... obvious biblio you?
Well... I have to give notice that it is the books on the shelves that
give the answer to those self queries.
You do not... give the answers.
Your books do.
I
don’t say anything to anyone anymore.
In the damned rare books world... silence resounds. But I did promise a... a lance of
abscess I called it (Part Three [B}):
“I
am not going to account this trash can found old ruined rare book... yet. I want to come back to it as a whole...
abscess... that I ...lance. The
book and its heritage is swell enough (as an old rare book) to be “FUN” doing
that... as well as being a sort of swell-fun secret of an old rare books
collector’s secrets... along ‘in there’ too. So I step away from the whole book and
Just
expostulate on the ‘and such’ I found within.” (the three broadside throwaway
handbill song sheets).”
Now
I come back to that (the glued up old book)... with us shipping in murky waters
too (the spine ends showing over your shoulders). I begin with a ‘do you have a THIS old book over there on a
shelf?’ Not likely in my day to
day... you do know now? Well you
should know that by now. That; the
actual old rare book, is furtive.
And anyway... this one is a ruined old rare book making itself a
newspaper clipping glued down repository and... therefore... all lost at
sea? NO. We are going to look at that book and its ...secrets of
secrets position on a shelf... and the MESSAGE that that shelving sends to a
biblio world within the damned world of the old rare books.
If
the book of query is on the shelf... look to the books on either side of it for
“more”. Good (skilled) old rare
books collectors are always shelving books relating to or about other books in
very close proximity to each other.
They (the book collectors) do this themselves... obsessively. Yes: It is an obsessive action combining physical and mental
aspects. So, here, the bulging
newspaper clipping ruined-by-glue... old rare book... is more than one book...
on a collector’s shelf over past their shoulders that... well... I... spy. Yes: One book, two book... three books: “Oh.”.
The
conquest of the glued down newspaper clippings within the old rare book begins
with the curious action of the glue master... of ...skipping a glue down upon
the old rare book’s title page.
“How odd”? No... a classic
‘just couldn’t do it’... hesitation and then failure to ‘totally destroy’. The verso (back) of the title
leaf is ‘clipping glued down’ but a... ‘still none the less’ of leaving the
title page pure. This leaves the lifeline of the old rare book for us to...
pull on and... “find out”. Find
out what? WHAT THE ruined BOOK
WAS... once... and, well... “still is”.
I observe that all old rare books are all what they ‘still are’ whenever
they (or a lone ‘it’) trickles down in time to us (one holds the old rare
book... in hand... in... “time”).
But
I... just review the title... page... with its title, author, imprint and date
and... glory in that. OH LOOK how
foolish the old book is after all.
It is a book of music?
About music? Is music? Could still be music? Not likely for this last for the glue
has done its craft to nearly every page thereafter the ‘skipped’ title page and
it is only the very last leaves that are not a ‘glued down’ so show, well....
“music”.
I
do not care. The title page is
enough ‘swell-fun’ for a biblio-obsessed.
I follow it on its bookshelf to the books on either side of “IT”. The first is ANOTHER of the “SAME
BOOK”. That is not true. It is actually another ‘edition’ of the
“SAME BOOK” with a delightfully similar title page AND a ‘two years later
“1827” imprint date. “OH.” so it
is ...not quite... a ‘the same’.
The second copy is a “perfect” original condition copy showing,
inclusive of the gilt titled leather spine and... its printed blue paper stock
on stiff paper boards... front cover... repeating of the title with the
Printer’s promotional broadside printing on the rear outer cover board... too,
and... with all this... creating for my eye a... what the whole ‘ruined’ edition
should ‘look like’. “OH.” again...
with “nice” and even ‘fun-swell’ added too. So now we find that this book TOO is an old rare book TOO
and ... a positive delight too with...
Oh
no.... the original ruined book still too... being of appreciation and merit
TOO: A “still too”... too. Two books.
Three
books? Oh why not. The biblioeye and bibliofingers go to
that other side of the shelved ruined book and find (pulls forth) a... vintage
(second half of the 20th Century) pamphlet. Olive green printed wrappers... with
title on the wrapper front. This
title carries two bibliognoste action words; “Bibliography” and “Ithaca” (NY),
a coverage date of “1820-1850” and
an author’s name; “McMurtrie”.
This last is a name so obsessive of American imprint bibliography...
that it (this name) may be itself... the definition of the world of old rare
books secrets of ‘obsessive’. All
this pamphlet title matter... is to old rare books collector’s a “take (only)
seconds”.
Of
little surprise then (?) that this last printed wisp (pamphlet) is the secret
to the secret of the... ‘this (ruined) old rare book’? Certainly it may be and... again I
point out... this shelving too is done-to-the current date BY the old rare books
collector who ‘shelved’ these (their) books... “in their collection”
I
save and savor these three books “for later”. Then (“later”):
Alone, I pursue the bibliography first. For a record, one will not commonly find ANY bibliographies
at, for example, church book sales.
These books (bibliography) travel in... and only in... old rare books
collector circles... and are God damned to only ever that... so that alone
explains why I ‘that one first’ of the three books. And I am rewarded.
The first and ruined book, under the 1825 imprint hand list given within
the bibliography, records (in book collector grade obsessive detail)... “THAT
BOOK”. I quickly follow to the
“1827” hand list and find, too, the second ‘perfect’ copy recorded in obsessive
detail TOO. “Why... not poke this
bibliography’s hand lists some more?”
I do and am amply rewarded by discover that this ‘book of music’ was
published every year of the 1820-1830 decade by this printer in Ithaca. IN FACT what is found is that the very
first... and single... old rare book printed in Ithaca in that first year
(1820) ‘ever’... is this book of music... there by being first and only book
published in 1820... being the 1820 edition of this book (of music). It (this title) was the first book
printed and published “THERE” (Ithaca, N.Y.). in 1820.
Becoming a “Too”.
“Well
I’ll be” and there my personal bibliomane obsession, romance and (developed)
appreciation of the heritage of this old rare book AND the ‘art’ of that old
rare book (the ‘object’)... ends... with me... ready for my next rare book
adventure (flight of biblio fantasy.
I am alone in this happy land... God has damned me.
A
simpler version of the resistance to the Bibliobooklessness; the obsession,
romance and appreciation... of the art... of the old rare book... has been
brought ‘news worthy’ to us all from the BBC in the last two weeks (May, 2017)
(goggle BBC William Caxton Printer).
A leaf (a single piece of paper with printing on both sides (two pages)
has been found, after one hundred and ninety years (1820-2017) of it being collected,
to be a leaf from a very early William Caxton printed book (1400’s). He was England’s first ‘in English’
printer. Caxton has been
“collected” “forever”... so finding an early lone leaf... “is possible”. But this leaf... for I... touches the obsession,
the romance and the appreciation... of the old rare book... from how and where
it was found. Although not
identified until our current year (2017), the leaf was recorded as found at
Cambridge in 1820... where it (the leaf) was being used to reinforce the spine
binding of... another book.
“What?” you say. SO: This page from an old book was used as
scrap paper and glued down within the spine binding of another old rare
book. In 1820, at Cambridge, a
somebody noted this, removed the leaf and preserved it with other such biblio
odd single leaf discoveries.
Eventually (2017) this leaf was “researched” and the Caxton printed
deduced.
But
what do I care about; the biblio obsessed, romantically inclined and ‘wonder I’
appreciation? WHAT I BRING TO YOU
is that... did you know one may look inside old book bindings at their glued
down “scrap” papers hidden within and find... OLD RARE BOOK TREASURE? And that the bibliomane such as myself,
understanding that this hunt has been going on for centuries... DELIGHTS in
bibliomania that one may ‘do this’; hunt for printed paper wisps from old rare
books hidden and glued within the spines of other old rare books...? And again... this habit has been ‘done
for centuries’ by the old rare books collectors and dealers? Is this a secret of a secret? No. It is just a (old rare books) collector’s secret.
The
secret of the secret of this is... that... one must... if one wishes to leave
Bibliobooklessness behind... join this habitual. To do that one must ‘restring your biblio clothesline’.
And
clotheslines... re-stringing them is not a ‘quick’ or ‘simple’ endeavor
(work). No... it is a very long
wondering trail... of back and forth... stretched tight... with many old wooden
pins pinching the old rare book collector’s secrets to your ever restringing
‘needs to be tightened again’... biblioclothesline wonderworld. Is THIS (the ‘learning’ of old rare
books and the ‘leaving behind’ of Bibliobooklessness) then a... secret of the
old rare books collector’s secrets?
Yes
it is.
Look
‘behind the spine’ and over your shoulder at the ‘books I have shelved’ “behind
me”..
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