Old New England Glassware in the Home
Part Sixteen
"The Dark Hole"
            Very
few men shop at the glassware tables of the church holiday fairs.  Very few.  I know this.  I
also know that if I am a repeating shopper at these glassware tables... I
quickly establish relations with ‘the volunteers’ particularly if THEY, too,
know what it is I am buying.
            Once
that bridge to grandmother’s house is crossed we.... WE... have ‘a lifetime together’
of ‘old glassware’.  “I PUT
SOMETHING OUT BACK FOR YOU.  A
little salt I think.  It’s very
nice and I didn’t want you to miss it”. 
It is not about the money. 
Acknowledge her ...good taste... 
and astute eye... is the profit. 
“She knows” is a bronze plaque that is coveted.  “I just knew you would want those”....:
“I don’t know what I’m going to do
with my things.  They’re already
TRYING to move me to Assisted Living... I can’t have them THERE (her
antiques).”
            “Why
not; just take a box full.”
            “Well
I suppose I could.  But what will
happen to it”.
            “Who
cares.  When it’s over in there you
got no cares.”
            “Yes
but I DO care.  I would like to
know it goes on.”
            “I’ll
buy what I can.”
            “Well
I’ll have to show you sometime. 
Here:  Let me wrap those for
you”.
            It
is that simple; the dark hole in the universe of ...old New England
glassware...
            In
the home.
            While
the new-women New England... matches their toenail polish with their flip-flops
and... matching those too... “with my”... ‘tote’... and the
            New-men
New England... ‘hitches’ their utility trailer ‘on’ and ‘hauls’ a
            Petroleum
footprint “geared down’...
            I
slip through
            Crack
after crack
            Gathering
old New England glassware in
            “Their”....:
            “She
died last FALL and we are going to PUT THE PROPERTY
            On
the market but
            We
            Want
to clean it out 
            FIRST”.
            “Ok”.
            My
first ‘leaving’ is to give notice that I have just designated the hidden
anti-hero of the preservation... of the values, behavior and ...good taste...
of old New England.  The headless
horse...women... who, too, fall through crack after crack... yet prove to be a
titanic interwoven system of ...old New England granite fence posts... and THE
system of old New England ‘fence viewers” TOO...:  It is a position beyond (?... no... actually ‘of’; I am, of
actual fact and profession, that... too) my personal reach and one the
reader... cannot fake... ‘knowing of’ or... ‘being of’.  Exclusivity, although not a title
position or working policy... remarkably... IS a defining boundary of
            The
(old) New England... community... church / civic “volunteer”.
            Staying
clear, in my leavings... of all but the antiquarian quips of these ‘those’...
for I do not need (?) to define the broad reach of these ‘those’?  I would like to think so: that the
reader... ‘gets the picture’:  The
reading... are not they (themselves)... ‘those’.  Thy is not a there or a those.  These... they... I ...have intimate antiquarian relations
with... for THEY TOO know... “those; they don’t know”.  And they (these volunteers) carry the
‘Bean Supper’ off without a hitch TOO. 
It is the occupying army of old New England.  They are granite fence posts.
            One
may show up in town and buy-build-teardown-makeover a largest ‘PRIVATE’
home.  PARK in the
behind-the-church lot.  Shop
downtown.  Painting toenails aqua
marine on May Day.  Red, white and
blue bunting
            Strawberry
            Festivals
            Sitting
in a folding lawn chair.
            “A
few bugs but not bad”.
            “Wonderful
sandwiches”
            Somebody
made the sandwiches.
            Put
the bunting
            Found
the bunting
            Pictured
the bunting
            In
the mind’s eye of
            “I
was once a little girl I remember
            Standing
there below the Church yard
            Wall:  The
            Graveyard
that no more may fit into
            My
family’s plot.
            Ebenezer
was lost at sea in a storm.
            Along
the coast in November
            All
were drowned.
            I
still have
            A
set of cordials he gave Maria.  One
was broken
            My
grandmother told me..
            When
her grandfather Jeremiah married Amelia Jenkins in
            Eighteen
fifty-two.
            The
street is still the same
            You
see.”
            Seven
cordials are a set of
            Seven
but does not include my wondering
            If
down the privy hole straight back through shed
            Be
tossed and dusted fecal buried
            The
broken ‘number eight’.
            It’s
been that long for that ‘old shit hole’
            “When
was that last used?”
            “They
only used that one in the winter
            Anyway”.
            “When
I die:  I have thought about this.
            I
(my confidence) to you.  When you
come in
            And
buy them
            Remember
me.
            I
am leaving them there; just that way
            That
they have always been that way
            There
from when she (her grandmother) first
            Showed
them to me 
            There;
like that.  Just as we see them
now.
            They
rest
            And
I will rest and
            Know
they rest that way too.
So now we are beginning to get to
where we may... be beginning to get... to where we
            May
well be better off knowing more about the ‘exactly’ what this; the glassware I
have been speaking as being included in this ...old New England saga...
“is”.  Maybe we are “could
we?”.  Do I like the glassware
better than the saga?  Or is the
saga merely ‘brought physical’ by the glassware?  Or is it the interweave of each ...that spawns a third
wholeness... and that wholeness is a 
            Solid
form... a solid force too... in the
            “It
is that simple; the dark hole in the universe of ...old New England
glassware...
            In
the home.”?
Crossing that "bridge to grandmother's (or grandfather's) house" is a good thing. The camaraderie is real, it's about the elements of design, art, craft, function, time and much more.
ReplyDelete