The Horse's Grave
Part One
The
circumstances that lead to the escapade began well before I understood
antiquarian directives. A footpath
crossed the back of an overgrown garden between a dilapidated Federal home, a
Victorian mansion in grievous decay and the rear of an 1870’s tenement building
that once housed mill workers and their families but then was approaching the
public designation of “CONDEMNED”.
Before my very young eyes, the rear of my grandmother’s dress clung to
the viperous reach of the tangled weeds that not only overhung the footpath but
also my head.
As
we walked, these grasses grew taller, the surrounding roof tops smaller and the
truculent sun, held directly above in its blue sea, more dazzling. With these dizzy effects, I, upon
reaching The Horse’s Grave, was already in need of protective grandmothering.
But
no comforting noise could I hear.
What I did hear was always the same: A sudden silence created by my grandmother’s cease in
movement along the path. Then the
back filling of this empty sound by the static murmur of insects that had not
ceased their oratory in the grass beside me and: The return of sound as a grassy swish as my grandmother
parted these tall grasses to her left and sidestepped into this forest of
illegal meadow plants.
The
growth was illegal only to my grandmother who vividly recounted perpetually
what a “Fine garden” this field “was once”. With her motion off the path, a movement whereupon she
vanished before my eyes for the tall grass closed behind her, I stood alone
while she, very knowingly, stepped to the only proof of the once grand and
controlled landscape she “remembered”.
I followed; parting the grass and searching the ground for her “stepping
place”.
We
did not wade in the grass very far.
Following her dress that was now pulled up and back so that it was in my
face, I arrived blind behind her within the shade of a growth of very old Lilac
bushes. Beneath the border of this
shade and one further and fatal step forward, should one be so ill prepared as
to travel here without foreknowledge, one would “fall in” The Horse’s
Grave. To “fall in” The Horse’s
Grave was, and remains to this day, one of the greatest of fates that could
happen to me. To “fall in” The
Horse’s Grave I understood to mean prompt termination of my, to then, short
life. I give notice here that I...
never fell in... The Horse’s Grave.
Other
things did though and the first action of my grandmother was to review what had
happen at The Grave since she last visited. Comment, usually accompanied with woodcraft gesture toward a
spot or two on the edge of The Grave, affirmed her notices that such & such
had “gone in”. The most particular
of these poor creatures, a personal designation on my part for... they were
nothing but victims of a sure demise, were usually “a raccoon” or “a
skunk”. The raccoons left a bigger
notice of their visit for... they were “eating frogs”. Sometimes... there was a piece of a dead
and eaten frog as positive proof that this had happened. I would follow the detection of this
body part with a long and complete scan of The Horse’s Grave for any surviving
frogs.
That
is why we had come to The Horse’s Grave:
To see the frogs. Where
else could I see frogs but at The Horse’s Grave? This was the only source of frogs that I knew of; this hole
of water called The Horse’s Grave.
What
The Horse’s Grave is (for it be still today... in this same reclusion that I
have described for you)... is a modest Victorian era kidney shaped pool of ice
cold water welling up from beneath the muck of it’s bottom within a precisely
defined fitted stone border that is completely covered with moss to rustic
perfection. At the far side of
this sculpted hole of dark, shaded water, between the clumps of Lilacs, a
single lower stone allows perpetual escape of water. This water, from this hidden source, forms a trickle, then a
stream that, by the time it reached “the street”, formed a boundary then known
to me only as “way” “over there”.
This stream at this street was never approached from The Horse’s Grave,
but only pointed out to me when walking along this “the street” where this
stream was there shown to me as “is the water from The Horse’s Grave”. This last was always rolled in my small
mind by an extended gaze at the tall grass before me that, I had asked for
affirmation of many times, “is the same field?” The repeating query always was answered “Over there; in that
clump of trees (the Lilacs): You can see them can’t you?” was where it was; The
Horse’s Grave. I could see them, I
said, but... actually... it all didn’t seem possible for, as I understood the
cartography of the world... The Horse’s Grave was “not near here”.
At
the edge of The Horse’s Grave, in the tall grass, beneath the shade of the
Lilacs, I stood, with my grandmother, motionless. One did not move without extreme designation for, otherwise,
one would “fall in”. My eyes moved
though. They looked for “the
frogs”. And there they were; on
the far side, in the dark, wet, shade; sitting and looking at ...me.
We
would count the frogs, particularly if a body part had been noticed. We... would long to touch a frog, an
obsessive interest, I am sure, of only one member of this duo of visitors. We would, with no self assuredness on
my part, want to catch a frog, something that happened only when my
grandmother’s hand flashed downward with a suddenness that spattered water
across the pond thereby causing a general popping and splattering around all
edges of The Horse’s Grave. We (in
fact only I) would want very much to throw something at the frogs to make them
jump, an action that was once demonstrated as possible by my grandmother but
thereafter discouraged. This urge
was never acted upon up until... I was old enough to... “go to” The Horse’s
Grave... alone. It is from that
moment; the era of solo travel to “The Horse’s Grave”, that my tale twists to a
more haunted blackness then that cold, clear water ever knew of.
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