Old New England Glassware in the Home
Part Twenty-Seven
"They of the Most"
After
the creation of EAPG and the... infiltration of that glassware into the New
England home... and after the creation and infiltration of decadent design EAPG
into that same New England home too... there came a pause; a rest period... a
‘nap’. The “glassware”... was...
in the home. There was ‘a lot’
(ever more) ‘of it’. The decadent
design of glassware amplified at a direct ratio (one to one) with the decadent
decline of the manufacturing qualities of ‘glassware’. This ratio rode upon a marketing...
development... that included access to ‘glassware’ ‘for the home’ through...
‘mail order’, ‘department stores’, ‘premium giveaway’ and the always
‘work-in-progress’ of... ‘fashion’.
This last carried ‘implied (good) taste’ too. For example, a cereal boxed premium giveaway ‘spooner’ (a
kitchen table pressed glass vessel for holding the (stamped brass and ‘silver’
[in name only] plated spoons to eat the cereal) was presented to the... developing
and expanding... middle class domestic vision... of... material opulence****...
inclusive of this presentation offering NO design education or ‘history’ AND
postulating that ‘this crud’ (the premium giveaway glassware) “IS GOOD TASTE
SEE”....: Lifeboats in the water;
the Titanic of EAPG had hit an iceberg and
Down
it went
?
Not
quite... I explained...: In its
habitat (cupboard) it (EAPG) was ‘just’ moved back and to the sides (Part
Twenty-Six [C]). It stayed
there... “undisturbed”.
**** : I up-ante that ‘material opulence’,
particularly... when viewed from an antiquarian eye resting upon ‘good
taste’... was here (late Victorian ‘gay nineties’) introduced and... continues
to this day... to be THE guiding light of ‘good taste’ for... ‘the they’ of...
‘the most’. That means, for
example, that the pair of sneakers that a ‘you like’... is used as a derivative
directive of what ‘is’ ‘good taste’... particularly since there are ... ‘so many
(pairs of sneakers) to choose from’.
It is that bad and comes from that ‘long ago’ too. Again, for example... take the design
heritage of ‘towels’: “No one
knows that” yet... ‘foist’ of ‘their taste’ in and of towels... is
rampant. As the woman said: “Bathrooms! Don’t talk to me about bathrooms!” (Part Twenty-Six [C])
By
the era of perfected killing of humans with mechanized war (Civil War-1863-ish
to the end of World War One)... old New England glassware... in the home...
stayed out of sight. One could not
fly over enemy trenches and drop an... EAPG compote as ‘a bomb’. This compote... developed its peculiar
domestic state: It ‘floated’ in
the (old New England) home while... ‘all Hell broke loose’ right around it.
At
the Louisa May Alcott homestead museum in Concord, MA., one may see an example
of this. There is a ‘diamond
point’ pattern EAPG compote ‘in there’; inside the museum... that is still...
part of the ‘original Alcott home estate contents’. I’ve... seen it... and watched it... ‘float’ ‘in there’ for
years. This is easy for it is the
most prominent object of ‘old New England glassware’ (EAPG) in THAT home. Sometimes it’s ‘there’, sometimes it’s
‘over there’ or... sometimes ‘right there’ or... sometimes NO WHERE IN
SIGHT. But when I go back again...
“Oh... there it is”. Nothing, no
one, anything, ever... is ever... about it. It just floats.
One, now, after study of EAPG through this essay... WILL be able to ‘do
this too’: Locate and track an
‘EAPG... FLOAT’ ‘in the home’... and like I... ‘watch it for years’.
I
do that.
So
can you.
Meanwhile
back at the cupboard bottom the rest of the EAPG stayed... literally... ‘out of
sight’ AND ‘out of mind’. Until
after the (WWI) war. Then...
there... within the grail of ‘colonial revival’... FASHIION... having this
fashion... rosed, rised, risen and “OF THAT” beginning in the ...1850’s... and
before... to peak, plateau, ‘fall back’ and become thereafter a ‘known’
‘fashion’... caused... for reasons having nothing to do with me. Or you. To... TOO.... “FIND” “OLD” “GLASS”
And
then find that finding ‘interesting’.
And
then a ‘study’ of ‘that’ (old glass).
Sort of.
And
then a ‘gather’ of (some of) that.
Sort of.
And
then... came to be heard... “I collect”
“Old
Glass” (capitalized title of subject).
This
‘I collect’ is NOT what I’ve have been expostulating about as ‘old New England
glassware in the home.
No.
The
“I collect” imperative is the first direct assault of the habitats of old New
England glassware... in the home:
THEY (collectors of ...EAPG...) opened the cupboard doors and ‘carried
off’... the innocent earliest of the glassware that ‘I live here. Leave me alone’ (Part Twenty-Six [B]).
You
know what those; this select collector group from the ‘they of the most’, did
with their carry off? They washed
it. And put it on a cupboard shelf
too, to, as they titled it, “display”.
And discoursed amongst themselves regarding pattern, form, glass metal
qualities, “I have”, “I’ve seen”, “did you know” and, of course... “I’m keeping
that”. THESE CRUDE collector ‘they
of the most’... removed old New England glassware from it’s original habitat
and then displayed it in captured ‘collector’s prisoner’ state on their own
cupboard and... would not let go of it (their captured... ‘collected’ ‘old’
‘glassware’.
That
practice lasted until ‘they of the most’... got sick of ‘doing that’ and ‘doing
that’ ‘fell out of fashion’ (peaked, plateaued, fell back and is.. still
around... nearly one hundred years later). Sort of. What
does ‘sort of’ mean? It means...
check your smart phone... after taking the cupboards out of the dining room and
leaning them up in the barn to put in a window “I don’t know yet” (if these
cupboards will, too... be sold into collector slavery).
Isn’t
this nice? NOT quite as nice as
PLASTIC... is it. THAT is nice
when your lips
Touch that;
When your sips
Are plastic.
I
believe we all know now of the extent of the petroleum foot print and it’s
influences on design... on glassware... in the home. Even juice glasses are plastic “now”.
Adventures revealed: On safari into the darkest cupboards of Old New England Homes "they of most" captured many of the EAPG species, and thence as captives, exhibited them far and wide in the zoos and theme parks of antique glassware.
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